The end of the line. Imagine an ocean without Fish

Imagine an ocean without fish. Imagine your meals without seafood. Imagine the global consequences. This is the future if we do not stop, think and act.

The End of the Line, the first major feature documentary film revealing the impact of overfishing on our oceans, had its world premiere at the Sundance Film Festival in the World Cinema Documentary Competition. Sundance took place in Park City, Utah, January 15-25, 2009.

In the film we see firsthand the effects of our global love affair with fish as food.

It examines the imminent extinction of bluefin tuna, brought on by increasing western demand for sushi; the impact on marine life resulting in huge overpopulation of jellyfish; and the profound implications of a future world with no fish that would bring certain mass starvation.

Filmed over two years, The End of the Line follows the investigative reporter Charles Clover as he confronts politicians and celebrity restaurateurs, who exhibit little regard for the damage they are doing to the oceans.

One of his allies is the former tuna farmer turned whistleblower Roberto Mielgo – on the trail of those destroying the world’s magnificent bluefin tuna population.

Filmed across the world – from the Straits of Gibraltar to the coasts of Senegal and Alaska to the Tokyo fish market – featuring top scientists, indigenous fishermen and fisheries enforcement officials, The End of the Line is a wake-up call to the world.

The End of the Line is a leading example of the new wave of documentary. It is an independent film – made outside the established broadcasting structure.

It is a campaigning film which aims to change the world by engaging large public audiences in a political issue. And it is a project which is integrated with the work of NGOs and progressive companies to achieve this change.

The film’s financing is an example of the new model of funding: with cornerstone funding from the UK’s Channel 4 BRITDOC Foundation, the vast bulk of the finance came from not-for-profit foundations in the UK and the USA.

In the UK the cinema release of the film was supported financially by Waitrose – a major UK retailer.

The film has received financial support from: The Waitt Family Foundation, Marviva, The Oak Foundation, Channel 4 BRITDOC Foundation, WWF, The Weston Foundation, The Clore Foundation, The Marine Conservation Society, AD Charitable Trust, GD Charitable Trust, Waterloo Foundation and Oceana.